By vir­tue of the in­flu­ence of the per­fect fun­da­men­tal vi­bra­tion of the ab­so­lu­te sound-sub­stance, the mirage world of rela­tive mu­si­cal evo­lu­tion un­folds be­fore the men­tal eye of the mu­sic knower out of the in­fi­nite mu­si­cal force-field of the har­mony – al­though the ab­so­lu­te mu­sic in the in­fi­nite force-field of the har­mony re­mains what it is by na­ture: com­pletely un­changed.
Yet one af­ter an­other, rela­tive tone crea­tions stream forth from it in a per­ma­nent, crea­tive flow of thought.

Thus, the in­ti­mate in­sight into the in­fi­nite mu­si­cal force-field of the har­mony re­veals to the crea­tive mu­sic lis­tener his true re­la­tion with him­self.
And by look­ing from the level of his pure self-con­scious­ness out into the worlds of the rela­tive mu­si­cal proc­ess, he also dis­cov­ers his true crea­tive re­la­tion­ship to his fel­low men by seeing him­self, in the se­quence-spaces, as the fa­ther of mu­sic.

Look­ing with the eyes of the se­quences into the motif-spaces, he sees his crea­tive re­la­tion­ship to his vari­ous neighbours by per­ceiv­ing him­self as the ele­men­tal mother of all be­ings.
And fi­nally, look­ing out from the har­mony, he per­ceives him­self as the ele­men­tal fa­ther of all be­ings.

Per­ceiv­ing the ab­so­lu­te sound-sub­stance al­lows the crea­tive mu­sic lis­tener to gain in­sight into the in­fi­nite mu­si­cal force-field of the har­mony.
Here, he per­ceives him­self as the per­fect crea­tor of mu­sic who li­ves, re­leased from space and time, in the ab­so­lu­te mu­si­cal world of the har­mony and who pro­duces rela­tive mu­si­cal crea­tions from this per­fect mu­si­cal force-field.

Un­der the same in­flu­ence of that cos­mic vi­bra­tion of the ab­so­lu­te sound-sub­stance, the new­born sound crea­tor knows him­self a cos­mic soul in the in­fi­nite force-field of the har­mony.
But also he per­ceives him­self em­bod­ied in the se­quence-spaces – in the sum of the in­di­vid­ual souls pic­tured there – and per­ceives him­self em­bod­ied in the motif-spaces, in each of the in­di­vid­ual souls rep­re­sented there.

In the ab­so­lu­te mu­si­cal world of the har­mony the mu­si­cal pres­en­ta­tion of life is so per­fect that it can­not be com­pre­hended by the av­er­age hu­man in­tel­li­gence of the mu­sic lis­tener in the rela­tive.
To gain per­sonal in­sight into the in­fi­nite force-field of the har­mony, there­fore, it is a pre­req­ui­site that the per­cep­tual abil­ity of the lis­tener be raised to a higher level.

In or­der to behold the in­fi­nite force-field of the har­mony and to per­ceive the in­fi­nite flow of mu­sic which streams there eter­nally, the per­sonal ex­peri­ence of the lis­tener must take place on the level of the fol­low­ing quali­ties: