DEUTSCHE AKADEMIE DER KREATIVITÄT
DEUTSCHE AKADEMIE DER KREATIVITÄT
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Grundgesetz der Akademie

The Cosmic
Education Program

Introduction

Academic Institutes

Peter Hübner
Developer of the University

 

Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

XI.
INDIRECT AND DIRECT
GAINING KNOWLEDGE
IN MUSIC

Ancient Truths in Music

The Golden Net of
Knowledge in Music

The Great Musical
Sense of Achievement

The Organs of Cognition in the Process of Gaining
Knowledge in Music

Necessity of the
Neurophysiological
Integration

The Performance of the
Self-Awareness in the
Musical Process of
Knowing

The Self-Awareness
Systematically Practises
Self-Identification

Insight into the Basis
of Music

Fundamentals of
Modern Musicology

Limitations of Conventional
Musical Education

Increase of Performance
of the Intellect in Music

The Eigenfunction of
the Intellect as the
True Musical Creator

The Journey to the Eternal Sources of Music

The Highest Intellectual
Achievement
Possible to Man

Authentic Successful
Musicology

The Music Listener
at the Origin of All
Creative Thinking

Purposeful Development
of Performance in the
Field of our
Neurophysiology

The Musician and His
Surroundings

The True Organs of
Finding Truth in Music

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

International Experts

Educational Program
Health

Scientific Research

International Media

International Congresses

Membership

Application to the Academy

 

 






UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition
.
 
PART   XI
      
 
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC
      
         
 
The Musician and His Surroundings


    
 
In his work and in his suc­cess, the mu­si­cian thrives on the profundity of con­tact to his sur­round­ings – on the qual­ity of his re­la­tion­ship with the lis­tener.
The mu­si­cal logic par­ticu­larly focusses on this as­pect of prac­ti­cal gain­ing knowl­edge.

  
Gaining Knowledge in Music Together
  
 
On the basis of logi­cal deduc­tion, clas­si­cal mu­sic achieves per­fect unity, per­fect har­mony be­tween in­di­vid­ual and sur­round­ings.

  
Harmony between Individual and Surroundings
 
 
On the level of the har­mony, clas­si­cal mu­sic sets the crea­tive seed-im­pulses of the in­di­vid­ual lis­tener as well as that of the com­mu­nity of lis­ten­ers into a natu­ral co­or­di­nated func­tion, vi­brat­ing in ac­cor­dance with the laws of na­ture.

  
Group Dynamics
 
 
Thus, the in­ner logic of clas­si­cal mu­sic rep­re­sents the golden magi­cal key for a ful­fill­ing, truth­ful re­la­tion­ship be­tween the mu­si­cal crea­tor, the mu­si­cian, and the lis­tener, for it prac­tises eve­ry­one in re­al­iz­ing unity.

  
Exercises in Realizing Unity in Music
 
 
The true, su­preme so­cial achieve­ment of mu­sic lies in re­al­iz­ing har­mony be­tween man.
This, then, is a token of the di­vine spark in mu­sic.

  
The Supreme Achievement in Music
 
 
“The great se­cret of all crea­tive gen­iuses is that they pos­sess the power to adopt the beauty, the affluence, the great­ness, and the dig­nity of the om­nipo­tence to make it part of their soul, and that they share this wealth with oth­ers. The con­scious, pur­pose­ful con­quest of one’s own in­ner forces is the high­est se­cret.”

Giacomo Puccini


    
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
                                     
                                     
                                     
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