17. Musical Sequence-Space to Discriminative Intellect
Subject of Study 2
Scientifically Studying the Universal Musical Coordination of the Creative Abilities
of our Cosmic Intellectual Understanding with the Integrative Ability of our
Cosmic Feeling
Through the Transition from the Field of Creativity of our
Intellect
to the Force-Field of the Musical Sequence-Space
During / by the Integrated Synthesis of Idea and Sound
Seminar Series
at the transition of idea and sound from the force-field of the musical sequence-space
to the force-field of our understanding
at the transition of idea and voiced consonant from the force-field of the musical
sequence-space to the force-field of our understanding
at the transition of idea and unvoiced consonant from the force-field of the
musical sequence-space to the force-field of our understanding
at the transition of the idea derivation and the formants from the force-field
of the musical sequence-space to the force-field of our understanding
at the transition of idea and vowel from the force-field of the musical sequence-space
to the force-field of our understanding
at the transition of the overtone mechanics of idea and sound from the force-field
of the musical sequence-space to the force-field of our understanding
at the transition of the decays of idea and sound from the force-field of the
musical sequence-space to the force-field of our understanding
at the transition of the attacks of idea and sound from the force-field of the
musical sequence-space to the force-field of our understanding
at the transition of the aperiodic vibration of the sound from the force-field
of the musical sequence-space to the force-field of our understanding
at the transition of the idea sequence and the vibration sequence of the sound
from the force-field of the musical sequence-space to the force-field of our
understanding
at the transition of the periodic idea chain and the periodic vibration of the
sound from the force-field of the musical sequence-space to the force-field of
our understanding
at the transition of the idea derivation and the overtone spectrum of the sound
from the force-field of the musical sequence-space to the force-field of our
understanding
at the transition of basic idea and basic sound from the force-field of the musical
sequence-space to the force-field of our understanding