For us, the art of ab­sti­nence lies in main­tain­ing our per­sonal abil­ity to ex­peri­ence on the level of the in­fi­nite force-field of the har­mony, so that we can no longer sink down into the lim­ited mu­si­cal per­cep­tive fields of the se­quences, the mo­tifs, and the mu­si­cal sound-space.

Ab­sti­nence, there­fore, does not mean re­nun­cia­tion to us, but de­scribes the mecha­nism of our suc­cess­ful pre­cau­tions against a pos­si­ble loss.
Stand­ing firm in our to­tal mu­si­cal ex­peri­ence in the ab­so­lu­te mu­si­cal force-field of the har­mony, we ab­stain from lim­ited mu­si­cal ex­peri­ences, nor do we at­tempt them, for they are but a glimpse of what our to­tal mu­si­cal ex­peri­ence in the in­fi­nite mu­si­cal force-field of the har­mony af­fords us.

How­ever, we can only suc­ceed in ab­stain­ing from lim­ited mu­si­cal ex­peri­ence if we sus­tain the per­fect fun­da­men­tal vi­bra­tion of the ab­so­lu­te tone-sub­stance on the level of our pure self-aware­ness, and if we sus­tain our crea­tive in­sight into the in­fi­nite mu­si­cal force-field of the har­mony through the per­ma­nent per­cep­tion of this cos­mic vi­bra­tion.